Film vs. Fact

Hollywood gives you a movie. The court records, FBI files, and trial transcripts give you something else. Film vs. Fact is where Hollywood vs Reality compares the dramatic version against the documentary one — scene by scene, killing by killing, source by source. We name what was changed, what was invented, and what was left out. We treat the films as creative works rather than evidence, but we hold them accountable to the historical record where the historical record exists. Coverage in this section ranges across the canonical American mob films and series — Goodfellas, The Godfather trilogy, Casino, Donnie Brasco, The Departed, Heat, American Gangster, Boardwalk Empire, The Sopranos — plus crime films from outside the strict mob canon when their underlying real-world events are well-documented enough to compare. Every article in this section cites its sources at the bottom, drawing primarily from Nicholas Pileggi, Selwyn Raab, T.J. English, Joseph Pistone’s first-person accounts, contemporaneous reporting from The New York Times, the Daily News, the Las Vegas Review-Journal, and the Boston Globe, and primary documents from federal court files and the FBI Records Vault. We do not try to debunk the films — they are what they are — and we do not try to glorify the real figures. We try to surface the gap between the two and let the reader weigh it.

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